“There are syllables of olive oil.” ~ Pablo Neruda
MORIA is a national literary magazine with an all-student editorial board, based at Woodbury University in the hills just north of downtown Los Angeles. We accept poetry, fiction, and creative non-fiction from emerging and established writers in the United States and across the world. The undergraduates who serve as editors and managers of the magazine participate in an official course on campus called “Digital Publication,” where they learn the fundamentals of producing an online literary journal with a professional focus. We publish twice-a-year, in late spring and in late fall.
At one time, an olive grove stood on the land that is now Woodbury University, and many of the old trees still grow on campus today. The name MORIA is taken from that context, as it refers to a special type of olive tree in ancient Greece that is protected by the government. As a tree sacred to Athena, the goddess of wisdom, the original “Moria” was believed to have been planted by her at the Parthenon and includes the meaning “to be part of” something larger than itself. Here at the literary magazine, we recognize and celebrate that Woodbury University is a part of a tradition of learning that is larger than itself, just as literature and the writers who make it are part of a tradition of creative engagement and cultural production that is larger than any one individual alone.
STATEMENT ON AESTHETICS
Here at MORIA, we are thinking about food, animals, nature, Tinder and HER break-ups, families, the food trucks in L.A. that are owned by the prince of Venice (Italy, not California), homelessness, DTLA, the LAX immigration line, LGBTQ, the women’s marches, “Hollyweird,” Lyft and Uber drivers who are one step away from making their big break, Clifton’s Cafeteria, Pasta Sisters, name-dropping, the Dodgers, the Santa Monica Pier, whether the Broad Museum really looks like a cheese grater, beach days in winter, Planned Parenthood, sitting in traffic with a foot cramp, Paul Smith, Colette Miller, #metoo, SpaceX, and current theories surrounding the origins of curiosity.
Good examples of the type of poems we’re looking for:
“My Mother and MLK” by Beverly Lafontaine (Issue One, Fall 2017)
“When You Can Get It” by Brendan Constantine (Issue Two, Fall 2018)
Good examples of the type of fiction we’re looking for:
“Miracle Fish” by Beth Spencer (Issue One, Fall 2017)
“For A Chocolate Bar” by Sara Siddiqui Chansakar (Issue Two, Fall 2018)
MASTHEAD (MORIA, Issue Two, Fall 2018)
Editor-in-Chief Tricia Lopez
Managing Editor Alyssa Pieprzyca
Design / Production Editor Beka Kamemoto
Technical Editor JosÉ Martinez
Program Manager David Newell
Events Coordinator Erik Alfaro
Social Media Curator Ayaka Takahashi
Submissions Editor Sara Castilleja
Literature Editor Maddison Taylor
Submissions Review Staff Justin Bertolami, Ahdenae Khodaverdian, Jason Lee, Khan Muhammad, Evelyna Nazari
Faculty Editor Linda Dove, Ph.D.