"'Revelations'" by Nicole Callihan

 
 


“Revelations”


If I do not “wish” to “die,” I must become “different.”

But I am much the “same.”

I appreciate “fruit,” yearn for “satisfaction.”

I once stood in a “quad” at a “college” and talked to a young “man” who had been holding
a giant yellow “leaf” in front of his “face.”

“I” might as well have been anybody. And “I” was.

There’s only so “much” that can be “done” in a “body.”

Especially “down” south. And “up” north.

Once in “China,” I drank a whole bunch of “Red Wall” then got thrown into a “rickshaw.”

At “best,” I am “inconsistent.”

At “worst,” a total “fake.”

I write “odes” to “apples.” I “abhor” the “feet” of some men but carry “band-aids” in my “wallet.”

To my aunt’s “disappointment,” I “raised” above my “rising.”

To my mother’s “delight,” my “skin” looks “okay.”

Once, after I “knew” not to litter, I threw several beer “cans” out the “window.”

Often, I place “birds” in the “verse” to simulate “movement.”

To be “alive” is one “thing;” to “not” is “another.”

Nicole Callihan.jpg

nicole callihan

Nicole Callihan’s books include SuperLoop (Sockmonkey Press, 2014) and Translucence (with Samar Abdel Jaber, 2018), and the poetry chapbooks, A Study in Spring (with Zoe Ryder White, 2015), The Deeply Flawed Human (2016), Downtown (2017), and Aging (2018). Her poems have appeared or are forthcoming in Tin House, Sixth Finch, Painted Bride Quarterly, The American Poetry Review, and as a Poem-a-Day selection from the Academy of American Poets. Her novella, The Couples, was published by Mason Jar Press in summer 2019. Her latest project, ELSEWHERE, a collaboration with Zoe Ryder White, won the 2019 Sixth Finch Chapbook Prize and was published in March 2020. She is currently Artist-in-Residence at Asterix Journal.

Headshot: Amanda Field

Photo Credit: Staff

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